Sitting in the darkened gallery, I spent a long time trying to discern if the back-projected image I was looking at was moving. The fact that the image of a snow-capped mountain surrounded by trees was accompanied by a field recording of wind and other sounds familiar from the outdoors seemed to suggest that it should move, as in a film. Yet, as I peered at the screen I could see no evidence of trees blowing in the wind, or of a bird flying across the sky. At one point during my visit, the screen suddenly went blank, the image reappearing a few seconds later, only, I think, lit slightly differently: the shadows shorter. Continue reading